Disciplines Reining Riding and Training Western Events Western Riding Young Rider

How to Master Reining Spins

Parker Ralston performing a reining spin
Photo by Heidi Nyland Melocco

If you’ve watched a great reining pattern, you may be excited to get home and practice the moves on your own. A signature move of reining is the spin, where the horse quickly moves in a 360-degree turn, moving over his stationary inside hind leg.

In a spin, sometimes called a turnaround, the horse propels his outside hind leg and his front legs forward and around his pivot leg. The horse moves round and round, not leaving the location where he started. It’s a fast and mane-blowing move.

You know how to turn your horse on his haunches, so you may think practicing at home means taking step after step around in a circle. While a turn on the haunches and a spin are both forward movements, it’s important to know if you’re asking your horse to move slowly or amp up and spin around on your command.

Here, trainer Aaron Ralston explains the difference and helps you make sure that you’re teaching your horse to spin instead of stepping slowly to the side. Even if you ride a reining horse, you’ll want to be able to turn on the haunches slowly if you need to move close to an obstacle or simply turn around.

“The main difference between a spin and a turn on the haunches is where I point my chin and my hands,” says Aaron. “Look and point your chin where you want to go. If you just want your horse to take a step or two to the side for a turn on the haunches, look a little to the side and point your hand there. If you’re spinning, you’ll turn your chin farther and your hands won’t release the cue when your horse has stepped just a few steps.”

Parker Ralston performing a reining spin
Look and point your chin where you want to go. Turn your chin and don’t release your hand cue until you’re ready to stop the spin. Photo by Heidi Nyland Melocco

Turn on the Haunches

Aaron says it’s important for a horse to know how to turn slowly on his haunches. The move helps your horse obey your leg cues and ensures that you have control over his shoulders and hips.

You’ll use this move when working to maneuver in tight spaces or when riding a trail or even a dressage pattern. You may also use this move in a western rail class if the judge asks for a change of direction on the rail.

“If you just want a turn on the haunches, focus on your exit point,” Aaron says. “Point your chin toward the spot you want to go and aim your reining hand to that point. When your horse moves his front legs to get in line with your chin and your hand, you’re there. Stop the cue by returning your reining hand toward the saddle horn and stop the turn.”

As you turn, make sure to move your inside leg off of your horse’s side to give him room to move his shoulders. You may need to follow your rein cue with a tap from your outside leg to get your horse slowly moving in the turn on the haunches.

Spinning to Win

Aaron explains that a reining spin is built on the same forward motion as the turn on the haunches, but comes when the rider has asked for speed. For the reining spin, the horse is in an athletic stance, ready to propel himself around and around.

Parker Ralston turning his horse
A reining spin is built on the same forward motion as the turn on the haunches, but with speed. The horse is in an athletic stance, ready to propel himself around and around. Photo by Heidi Nyland Melocco

“The horse’s outside front foot is to cross over the inside front foot,” he says. “The inside hind leg is the main pivot foot that bears the most weight. The horse’s outside hind foot helps balance and propel him around. The horse’s inside hind foot remains directly underneath you in the center of the horse. That’s the pivot and balance point. That position allows the horse to turn similarly to how a figure skater spins—with quick, constant movement propelling the spin.”

Parker Ralston performing a reining spin
The inside hind leg is the main pivot foot. The horse’s outside hind foot helps balance and propel him around. The horse’s inside hind foot balance point. Photo by Heidi Nyland Melocco

How to Cue for a Reining Spin

Aaron says it’s important to sit in a neutral position with a balanced body—make sure that your shoulder, hip, and heel are vertically stacked.

To rein your horse for the spin, imagine a large clock circling your horse. Your saddle horn is at the 12 o’clock position and your horse’s tail is at 6 o’clock. Begin by picking up your reining hand and pointing to 9 o’clock for a turn to the left, or 3 o’clock for a spin to the right. Point your chin to this same turning position and prepare to add some speed.

“In a reining pattern, you often do four spins in one direction,” Aaron says. “You’re not stopping in a spin until you get to the fourth spin. You want your horse to keep his energy up, not just turn and stop. Only when you’ve done all your rotations do you give your horse a cue to stop. Whether you want to turn a quarter of a turn or a half a turn, your hand guides the way, and your chin marks the spot. When you turn your chin, you’re also giving your horse your body cues to know how far to keep turning.”

To make the spin faster, make sure your horse knows that a sound cue means to add speed.

“If you want speed in the reining spin, cluck to tell your horse to shift gears and keep moving fast,” Aaron says. “If you’re training at home, follow the cluck with a tap of your legs to make sure your horse knows that the sound means to move on. Cluck to get your horse moving one gear faster than you were moving before.”

Parker Ralston turning his horse
If you’re training at home and want to add speed, cluck and add a tap of your legs to make sure your horse knows that the sound means to move on. Photo by Heidi Nyland Melocco

Make sure your horse doesn’t become dependent on your tapping leg cues to stay in a spin. You want him to keep going based on your sound cue. When it’s time to finish your spin, point your chin to the correct stopping place, then when your horse reaches that point, stop your rein aids and return to neutral.

Parker halting his horse
When it’s time to finish your spin, point your chin to the correct stopping place. When your horse reaches that point, stop your rein aids and return to neutral. Photo by Heidi Nyland Melocco

Meet the Trainer

Aaron Ralston works his horses on his family’s Collbran, Colo., cattle ranch and prepares them for world-class competition. He won Top 10 honors at the 2021 AQHA Versatility Ranch Horse World Show in Open Junior Ranch Trail and overall championship finals. He also has championship titles in reining, cutting, working cowhorse, and calf roping, and earned gold for the United States reining team at the FEI World Equestrian Games.

A portrait of trainer Aaron Ralston
Photo by Heidi Nyland Melocco

Special thanks to Aaron’s son Parker Ralston for demonstrating these moves aboard Seven S Tuff Boots (aka “Marty”), owned by Meg Ralston.

This article about reining spins appeared in the May/June 2023 issue of Young Rider magazine. Click here to subscribe!

Heidi Melocco

Heidi Nyland Melocco holds a Bachelor's degree in English from Ohio Wesleyan University and a Master's degree in journalism from the E.W. Scripps School of Journalism at Ohio University with a concentration in magazine and photo editing. At the latter, she was named Master's Student of the Year. Her stories and photographs are seen regularly in many equine publications, including Horse Illustrated and Young Rider. Melocco is an author of Western Horseman's Understanding Lameness, Western Horseman’s Legends 6 and 9, and Goodnight’s Guide to Great Horsemanship, and she’s a contributing photographer for the Certified Horsemanship Association's Instructor Manual, Hitch Up & Go, The Revolution in Horsemanship by Rick Lamb and Robert Miller, DVM; and Breed for Success by Rene Riley and Honi Roberts. She and her daughter are currently writing a new children's book called Pony Powers—all about what it's like to keep a pony at home. Melocco's photos have won awards from the Equine Photographer's Network and an AIM Award. Melocco holds first-prize awards from American Horse Publications (AHP) for training stories and equine photography. She has had more than 35 magazine cover photos. Melocco continues to write about and photograph horses and also works in video broadcasting. She directed and produced a popular RFD-TV show for more than 10 years. Melocco stays up to speed with social media and has grown accounts to reach and engage with hundreds of thousands of fans. She served on the Board of Directors for the Colorado Horse Council and has presented social media seminars at the PATHi and CHA International Conferences.She started riding Ponies of the Americas at age 5 at Smiley R Ranch in Hilliard, Ohio, with Janet Hedman and the W. E. Richardson family. In college, she was president and later assistant coach of the Ohio Wesleyan University Equestrian Team, coached by world-champion-earning trainer Terry Myers. Keeping active as a rider and riding instructor, Melocco began studying Brain Gym—an international program based on whole-brain and active learning. As a 4-H advisor, she used the simple movements to help horseback riding students relax and achieve their goals in the saddle. Melocco became a registered instructor with Path International, helping to combine horse knowledge and therapeutic experience with horsemanship training. Melocco has presented demos at Equine Affaire and at the Path International and National Youth Horse Council Annual Conferences. She taught at the Colorado Therapeutic Riding Center in Longmont, Colo. Melocco resides on her small-acreage horse property with her husband, Jared; daughter Savannah; registered AQHA gelding, Charlie; pony, Romeo; dogs Lucy and Rosie, and three orange barn kitties known as the "Porch Patrol."

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